Trinta e poucos: A Book Review
Introduction
Trinta e poucos is a collection of short stories and chronicles by Antonio Prata, one of the most acclaimed Brazilian writers of his generation. The book was published in 2016 by Companhia das Letras, a prestigious publishing house in Brazil. The book contains 88 stories that explore various aspects of contemporary life, such as family, love, work, politics, culture, identity and aging. The stories are written in a humorous and poetic style, with witty observations and ironic twists. The title of the book means "thirty-something" in Portuguese, and it reflects the age of the author and his characters, who face the challenges and dilemmas of adulthood in modern Brazil.
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The purpose of this review is to provide an overview and analysis of Trinta e poucos, as well as to evaluate its quality and relevance as a literary work. The main thesis of this review is that Trinta e poucos is a remarkable book that showcases Antonio Prata's talent and creativity as a storyteller, as well as his insight and sensitivity as a chronicler of his time.
Author's Background
Antonio Prata was born in São Paulo in 1977. He is the son of writers Mário Prata and Marta Góes, and the brother of fashion journalist Maria Prata. He started writing at an early age, influenced by his parents' profession. He studied journalism at the University of São Paulo, where he also attended creative writing workshops. He has published more than 10 books, including novels, children's books, essays and chronicles. He also writes for film and television, collaborating with renowned directors such as João Emanuel Carneiro and Fernando Meirelles.
Antonio Prata has received several awards and recognitions for his work as a writer. He was named one of Granta's "Best Young Brazilian Writers" in 2012, along with other promising authors such as Daniel Galera and Tatiana Salem Levy. He also won the Brasília Literature Award for best short story in 2013, for his story "O amor segundo Buenos Aires". He was a finalist for the Jabuti Prize, the most prestigious literary award in Brazil, in 2014 and 2016, for his books Nu, de botas and Trinta e poucos, respectively. He is also a regular columnist for the newspaper Folha de S.Paulo, where he writes about his personal experiences, opinions and impressions of the world.
Antonio Prata is a versatile and prolific writer, who explores different genres and formats in his works. He has written novels such as Meio intelectual, meio de esquerda (2010), which satirizes the intellectual and political milieu of São Paulo, and Felizes quase sempre (2013), which narrates the love story of a couple from their first encounter to their divorce. He has also written children's books such as A menina que morava no chuveiro (2008), which tells the story of a girl who lives in the shower and has adventures with her imaginary friends, and A baleia (2015), which depicts the friendship between a boy and a whale. He has also written essays and chronicles, such as Qual é a graça? (2011), which analyzes the nature and function of humor in literature and society, and Meus problemas com o cinema (2014), which reflects on his relationship with cinema as a spectator and a screenwriter.
Analysis of the Book
Trinta e poucos is a book that showcases Antonio Prata's talent and creativity as a storyteller, as well as his insight and sensitivity as a chronicler of his time. The book is composed of 88 stories that range from one to five pages each. The stories are divided into six sections: "Família", "Amor", "Trabalho", "Política", "Cultura" and "Identidade". Each section contains stories that deal with the respective theme, but also interconnect with each other through recurring characters, motifs and references.
The structure and style of the book are remarkable for their simplicity and elegance. The stories are written in a conversational tone, with short sentences and paragraphs, using colloquial language and slang. The stories are also full of humor and irony, often ending with an unexpected or surprising twist. The stories are also rich in poetic imagery and metaphors, creating vivid descriptions and impressions of the characters and situations. The stories are also influenced by various literary genres and traditions, such as realism, fantasy, science fiction, fairy tales, fables, parables and allegories.
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The stories in Trinta e poucos are also remarkable for their diversity and originality. The stories feature different types of characters, from children to elderly people, from urban dwellers to rural folk, from middle-class professionals to poor workers, from Brazilians to foreigners. The stories also depict different scenarios and contexts, from domestic scenes to public spaces, from urban settings to natural landscapes, from contemporary times to historical periods. The stories also explore different topics and issues, such as family relationships, romantic love, sexual orientation, work ethics, social inequality, political corruption, cultural diversity, identity crisis and aging.
The strengths of the book are its creativity, humor, poignancy and relevance. The book demonstrates Antonio Prata's ability to create engaging and memorable stories that capture the essence of human experience in a witty and poetic way. The book also reflects Antonio Prata's awareness and criticism of the social and political realities of Brazil in the 21st century. The book also resonates with the readers who can identify with the characters and situations that represent their own fears, hopes, dreams and dilemmas.
The weaknesses of the book are its brevity, unevenness and ambiguity. The book may leave some readers unsatisfied or frustrated by its short length and lack of depth. Some stories may seem too superficial or trivial compared to others. Some stories may also lack clarity or coherence, leaving some gaps or questions for the readers to fill or answer. Some stories may also have multiple interpretations or meanings, depending on the perspective or context of the readers.
Conclusion
Trinta e poucos is a book that deserves to be read and appreciated by anyone who enjoys good literature and storytelling. The book is a showcase of Antonio Prata's talent and creativity as a writer, as well as his insight and sensitivity as a chronicler of his time. The book is a collection of short stories and chronicles that explore various aspects of contemporary life, such as family, love, work, politics, culture and identity. The book is written in a humorous and poetic style, with witty observations and ironic twists. The book is also diverse and original, featuring different types of characters, scenarios, contexts, topics and issues. The book is also creative, humorous, poignant and relevant, reflecting the essence of human experience in a witty and poetic way.
I personally enjoyed reading Trinta e poucos and I recommend it to anyone who likes short stories and chronicles. I think the book is a great example of how to write engaging and memorable stories that capture the attention and imagination of the readers. I also think the book is a great way to learn more about Brazil and its culture, society and history. I think the book is a valuable contribution to Brazilian literature and to world literature in general.
To conclude, I would like to quote one of the stories from the book, which I think summarizes its spirit and message: "A vida é uma coisa muito curta e muito longa ao mesmo tempo. Curta demais para se levar a sério e longa demais para se deixar de lado" ("Life is a very short and very long thing at the same time. Too short to take it seriously and too long to leave it aside").
FAQs
Here are some frequently asked questions and answers related to the book or the author:
Where can I buy or download Trinta e poucos?
You can buy or download Trinta e poucos from various online platforms, such as Amazon, Google Play Books, Apple Books, Kobo, Livraria Cultura, Saraiva and Companhia das Letras. You can also find it in physical bookstores across Brazil.
What are some other books by Antonio Prata that I can read?
Some other books by Antonio Prata that you can read are: Nu, de botas (2013), Felizes quase sempre (2013), Meio intelectual, meio de esquerda (2010), Qual é a graça? (2011), Meus problemas com o cinema (2014), A menina que morava no chuveiro (2008) and A baleia (2015).
What are some other Brazilian writers that I can read?
Some other Brazilian writers that you can read are: Machado de Assis, Clarice Lispector, Jorge Amado, Graciliano Ramos, Guimarães Rosa, Carlos Drummond de Andrade, João Cabral de Melo Neto, Clarice Lispector, Rubem Fonseca, Lygia Fagundes Telles, Paulo Coelho, Luis Fernando Verissimo, Chico Buarque, Milton Hatoum, Daniel Galera, Tatiana Salem Levy and Luiz Ruffato.
What are some other genres or formats that Antonio Prata writes for?
Some other genres or formats that Antonio Prata writes for are: novels, children's books, essays, chronicles, columns, film scripts and television scripts. He has written for popular shows such as A Grande Família, Tapas & Beijos, A Mulher do Prefeito and Avenida Brasil. He has also written for acclaimed films such as O Ano em que Meus Pais Saíram de Férias, O Banheiro do Papa and Cidade de Deus.
What are some of the main influences or inspirations of Antonio Prata as a writer?
Some of the main influences or inspirations of Antonio Prata as a writer are: his parents Mário Prata and Marta Góes, who are also writers; his brother Maria Prata, who is a fashion journalist; his wife Paula Pimenta, who is a psychologist; his children Rosa and Bento, who are his muses; his friends and colleagues, who are his critics and supporters; his city São Paulo, which is his setting and source of stories; and his favorite authors, such as Woody Allen, Mark Twain, Anton Chekhov, Raymond Carver, Julio Cortázar, Gabriel García Márquez and Jorge Luis Borges.
I hope you enjoyed reading this article and learned something new about Trinta e poucos and Antonio Prata. If you have any questions or comments, please feel free to contact me. Thank you for your attention and have a great day! 44f88ac181
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